
What a rehearsal room asks of you
On the difference between being observed and being seen, and why the second one takes eight weeks.
Essays, field notes and interviews from the people doing the work. Read what worked, what did not, and what we are still arguing about.

On the difference between being observed and being seen, and why the second one takes eight weeks.

On the difference between being observed and being seen, and why the second one takes eight weeks.

An actor on what changed when the audience stopped being an audience.

Building an evaluation framework that does not flatten the thing it is trying to describe.

How Plavo Pozoriste builds an ensemble where leaving the room is a normal move.

Eight weeks in Helsinki with eighteen people who had never met.

Why the third week of a workshop is the one that decides everything.
One email a month with the newest Perspectives pieces, webinar dates and open calls.